![]() Since our last summer “Anniversary Pack” offer, things have somewhat changed. While it could have been risky, I really believe this was a right and necessary move. Focusing on those profiles really helped to mature the software and all of those advancements can be seen in 1.5. For big studios, it’s a too good opportunity to miss but it takes time and good timing, as well as courage to do the switch.Īs strange as it may sound, for many of our early adopters, Clarisse was seen as the “Industry’s best kept secret”. ![]() It simplifies something that became far too complex over the years. With aggressive new pricing and new features being rolled out, we sat down with Sam Assadian, CEO and Founder of Isotropix who make clarisse iFX.įxg: Where is the adoption of the product been so far? What style of work?Īssadian: Until very recently, Clarisse was mainly used in large to mid sized studios around the world. Node-locked licenses, dedicated to freelancers and to small studios, are respectively available at the incredible prices of $999 and $1499, with CRender starting at $459. Isotropix has introduced a new range of products/pricing: two node-locked licenses of Clarisse iFX and a new product, called CRender.
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